The music for Pokémon's Gen 3 story thus needed to capture the direness of the situation. The bad guys in Pokémon Ruby and Sapphire want to destroy the world by catastrophically altering its climate. The Gen 3 games really upped the ante when it came to the stakes of its story. That people saw humor in it also speaks to how perfect the choice to include hip hop worked for Sun and Moon, as the hip hop music introduced the goof ball that is Guzma. Getting to experience these genres in a Pokémon game was exciting when Gen 7 launched, which explains why "Guzma's Theme" became popular in meme culture. The songs for Team Skull are explicitly inspired hip hop and rap, which are quite rare to hear in the series. On one hand, players had their bread-and-butter Pokémon battle themes on the other, players got to listen Hawaiian Luau music with "The Festival in Iki Town," country music at Paniola Ranch, and even some classical horror with "Lusamine's Revenge." This breadth of genre and culture not only sounds lovely but also situates players in the Alola Region's tropical, diverse ecosystem.Īlthough Pokémon Sun and Moon's Lillie deserved better, its best musical facets are the tracks designed for Team Skull. The Gen 7 games had an excellent hybrid of genres and cultures represented in their soundtrack. Pokémon Sun and Moon brought the most out of the Nintendo 3DS in terms of gameplay and music. Consequently, the music of Red and Blue can feel more one-dimensional when compared to the rest of the series. Pokémon Red and Blue's many different versions had to start from scratch and make themes for a series that did not exist yet in contrast, newer games can use Gen 1 tracks as tools while making new ones for specific locations or moments. Additionally, newer games can better focus their music toward specific ends. Newer games may utilize "Title Screen" from Red and Blue, but they also enhance it by adding more tracks and instruments. That being said, the Pokémon series has moved beyond Gen 1. On top of this, some of the music from Gen 1 is genuinely compelling: the spooky vibes of "Lavender Town" scared kids so much they created ghost theories about Red and Blue. Tracks like "Title Screen" and "Victory!" have become staples in the series, making their way into practically every Pokémon game. Despite his departure, MONACA still wished him the best in his future endeavors.Pokémon Red and Blue laid the foundation for the what the rest of the games would become, and this includes their music. Therefore, the 35-year-old composer started his freelance career. "In July 2021, Tanaka left the music production company after his contract expired. The 35-year-old composer also wrote the ending theme "Calendar Girl" for the Aikatsu! anime. Although some users flooded Tanaka's recent Instagram posts with comments like, "Why you wanna have s*x with underaged girls man." Tanaka Composed Music for Anime and Games During His Careerĭuring his 10-year tenure at the music production company MONACA, Tanaka composed pieces for various anime and video games, including Nyaruko: Crawling with Love! and Servant × Service. As of writing, the Metropolitan Police Department is still continuing its investigation. Police opened an investigation of the incident and discovered security camera footage of Tanaka following the girl. 24, Japanese police arrested Tanaka after a teenage girl accused him of allegedly speaking inappropriately and forcibly pulling her hand near a train station's bicycle parking area in Tokyo's Meguro ward in August. RELATED: Pokémon: The Consequences of Every Outcome for Ash vs.
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